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The English-language version, "Beyond the Sea," was first recorded by Harry James and His Orchestra in 1947. Instrumental versions were done by Ray Conniff His Orchestra and Chorus, Le Grand Orchestre de Paul Mauriat, Richard Clayderman, Django Reinhardt. The Avalon Jazz Band, with lead singer Tatiana Eva-Marie, included a contemporary arrangement of "La Mer" on their 2021 album “April in Paris.” More recent versions include Kristina & Laura, Miguel Bosé, Manlio Sgalambro, Lisa del Bo, Biréli Lagrène, Patricia Kaas, Lola Dutronic, Mireille Mathieu, Chantal Chamberland and others. Demis Roussos included the song on his 1995 studio album Immortel. The song was included on Dalida's 1999 posthumous album Besame Mucho. In 1976 Julio Iglesias included the song on his live album En el Olympia. The song was also recorded by Cliff Richard.
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Trenet published his recording in the US in 1947 and Bing Crosby recorded La Mer on his 1953 album Le Bing: Song Hits of Paris.Ĭharles Trenet's recording of 'La Mer' is choreographed in Matthew Bourne's 1989 ballet suite, Infernal Galop, "a French dance with English subtitles", in which a merman seduces three matelots. ĭespite various translations into other languages, the original French version was popular outside France and with non-French musicians as well. By the time of Trenet's death in 2001, there were more than 4000 different recordings of it, with over 70 million copies sold in total. In 1966 there were already over 100 different recordings of La Mer, and it was considered to be France's best selling song, together with Edith Piaf's " La Vie en rose". Besides the original in French, the song was also recorded in several other languages with the English version " Beyond the Sea" being particularly popular and becoming the signature song for the American singer Bobby Darin. Over the years the song turned out to be rather popular throughout the world and developed into a chanson classic and jazz standard with a large number of prominent artists recording their own versions. Trenet himself recorded his song for the first time in 1946. The orchestration and chorus were provided by Albert Lasry. After that the job fell to Roland Gerbeau, who recorded it together with Jo Bouillon's orchestra at the end of 1945. It was first offered to Suzy Solidor, who, however, declined it. The song was not recorded before the end of World War II. That evening they performed it in front of an audience without much of an impact. He jotted it down on a piece of paper and in the afternoon he worked out the details with his pianist Léo Chauliac. The tune came to him while he was traveling by train in 1943 between Montpellier and Perpignan as he was gazing out of the window at the Étang de Thau, a lagoon in the south of France. Trenet said that he had written an initial version of the song's lyrics as a poem at the age of 16, many years before he came up with a tune for it.